Thoughts on production, alienation, and ideology

Category: Gender (Page 4 of 6)

Using Identity as Political Currency

There’s a certain line of thought out there in the political ether. The idea goes something like this. People use their identity to take political action, win offices, pass legislation, steer conversations, or direct movements. Or, to put it more simply, they use identity as political currency.

Now, when people say this, they often speak ominously or conspiratorially. By ‘people’ here, they have in mind members of marginalized groups. They think those sorts of people (i.e., others) use their identity as political currency. That’s something we should keep at the back of our minds, because people (and here I mean ‘white people, usually white men’) tend to overlook cases where members of their own group do things like this.

So…what is it to use identity as political currency? How’s it done? Is it a good thing, a bad thing, or both/neither?

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Holdo and Dameron: Neoliberal and Chauvinist

In case any readers are hermits, let me start with a reminder that The Rise of Skywalker hits theaters this week. The end of the Star Wars story, and so on. But I’m interested here in one of the plot lines of The Last Jedi. Vice Admiral Holdo and Poe Dameron went at it several times, from a minor skirmish to a mutiny. I think the conflict reveals deeper ones about gender and politics. It also shares a feature with the Killmonger character from the Black Panther film, namely it’s a Rorschach test! Whichever issues Holdo and Dameron reveal to you probably says as much about your views on gender and politics as the film itself says.

So here are some thoughts about it. Maybe it reveals my own views in some Rorschach-like manner. Or maybe not. We’ll see.

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Booksmart and Good Boys

In DJ Shadow’s 2016 Classic Nobody Speak, El-P from the hip-hop duo Run the Jewels starts off the song as follows:

Picture this
I’m a bag of dicks
Put me to your lips
I am sick
I will punch a baby bear in his shit

Two 2019 coming-of-age films feature this charming tune. First, we have Booksmart, which I wrote about a bit earlier as one of the best films of the year so far. And second, we have Good Boys. Good Boys is…something different. This might say something about gender, film, and childhood in the US.

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Stayin’ Alive: The End of a Working Class

stayin' alive

I recently saw the film Blinded by the Light. There’s a lot here: a young man’s love for The Boss, the struggles of South Asian immigrants to the UK, and a musical with a ton of Bruce Springsteen songs. Stayin’ alive, right? It’s a genuine story of stayin’ alive. But more than anything, it reminded me of a book called Stayin’ Alive. Jefferson Cowie wrote the book, and he also wrote a history of RCA called Capital Moves.

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Gillibrand’s Gender-Identitarianism

Kirsten Gillibrand isn’t going to win the Democratic nomination in 2020. And she probably won’t even win a single delegate. Even former staffers are calling her campaign ‘obnoxious and performative’ and asking her to quit the race. As a result, my own guidelines might suggest I shouldn’t write a post about her campaign. But I’m going to write about it anyway. I’m going to do it because I think she’s centering her campaign on an idea no one else has ever taken up for a major national campaign. That idea is gender-identitarianism.

Let’s explore this in more depth.

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